FROM FOLK SOURCE TO PROFESSIONAL CREATION: ON ONE TUSHETIAN TUNE
The article discusses the distribution area and development of one Tushetian tune mostly known as Mtsqemsuri. Today unison performance of this polyphonic melody, by nature, is explained as a decline of the process of Georgian traditional polyphonic thinking. The article also touches upon the examples of academic music, folk-jazz, author’s folklore, popular genre, which are successful or unsuccessful attempts of arranging the folk source.