GLOBAL MUSIC PROCESSES: ABOUT THE INFLUENCES AND ANALOGUES IN THE GEORGIAN MUSIC OF THE 60S OF THE LAST CENTURY


The Global Music context of the generation of the Georgian composers of the 60s of the last century seems to me topical. It’s crucial to examine the generation of the 60s through social, political and cultural demands of the epoch. In the reality of the Soviet Georgia political and internal/external cultural processes played essential role in the development of the Georgian music; it defined the quality and the link with the outer world. This processes hit the pick in the 60s of the XX century, the time when the radical changes had been done in both thematic as well as style and musical language. The generation of 60s contributed to those changes to a large extant.
In the present article the discussion will be drawn to the following issues: Warsaw Autumn, as the soft power in the bipolar world, the significance of the WAF, Thaw politics and “thaw” in culture, Georgian composers Pilgrimage at the WAF, “Warsaw Autumn” importance for the Georgian composition school, phenomenon of the influence and analogues, aspects of global and national – interrelationship and feedback, historical context, International Music Festival