FACING A NEW REALITY: POLISH COMPOSERS IN THE FIRST YEARS AFTER 1945 (Язык: Английский) | ![]() |
DUE NORTH: ĒRIKS EŠENVALDS AND AURORA BOREALIS AS A CLAIMED ARTISTIC SPACE (Язык: Английский) | ![]() |
ROBERT SCHUMANN’S “CARNAVAL” AND TENNESSEE WILLIAMS’S “CAMINO REAL” (Язык: Английский) | ![]() |
WEST – EAST: FROM THE USA TO THE EUROPE (Язык: Английский) | ![]() |
(Язык: Грузинский) | ![]() |
INTEGRATION OF SCHENKERIAN ANALYSIS AND NEO-RIEMANNIAN TRANSFORMATIONS IN LISZT’S TRANSCENDENTAL ÉTUDE NO. 1 (Язык: Английский) | ![]() |
ТВОРЧЕСТВО ФРАНСУА-БЕРНАРА МАША В РАЗРЕЗЕ ПРОБЛЕМАТИКИ МУЗЫКАЛЬНОГО ВРЕМЕНИ (Язык: Грузинский) | ![]() |
BRICOLAGE – COMPOSITION TECHNIQUE OR TYPE OF THINKING? (Язык: Английский) | ![]() |
FROM FOLK SOURCE TO PROFESSIONAL CREATION: ON ONE TUSHETIAN TUNE (Язык: Английский) | ![]() |