3-8
| THE OBLIGATE INSTRUMENTS AND PIANO PART IN ROMANTIC CHAMBER SONATAS (Language: Russian) |
3-8 |
| ROLE OF CREATIVE ACTIVITY OF V.ZAREMBA IN PROFESSIONALIZATION OF PIANO PERFORMANCE IN UKRAINE (Language: Russian) |
9-13 |
| THE GEORGIAN ROOTS OF LAZ MUSIC (Language: Georgian) |
14-20 |
| THE WAY HOW GEORGIAN POLYPHONIC SONGS BECAME SINGLE-VOICED (A PROCESS OF MONOPHONIZATION) (Language: Georgian) |
21-27 |
| GIYA KANCHELI – NIGHT PRAYERS (Language: Georgian) |
28-33 |
| THE FUGUE COMPOSITION IN THE QUARTETS AND SYMPHONIES BY SULKHAN TSINTSADZE (Language: Georgian) |
34-38 |
| THE “ORIENT” IN CREATIVE WORKS OF GEORGIAN CLASSIC COMPOSERS (Language: Georgian) |
39-46 |