3-23
| PROBLEMS OF METHOD IN A FIELDWORK AMONG THE IMMIGRANT CHRISTIAN COMMUNITIES IN ROME |
3-23 |
| POLYPHONIC TRADITIONS IN THE GRECO-ROMAN WORLD |
24-34 |
| ON THE TYPES OF CHRISTIAN LITURGICAL MUSIC IN TODAY’S GEORGIA |
35-38 |
| GEORGIAN PANPIPE (LARCHEMI/SOINARI): TRADITION AND INNOVATION |
39-46 |
| MUSIC ANALYSIS IN THE 21ST CENTURY ETHNOMUSICOLOGY: MERGING IDEAS OF „WESTERN“ AND „EAST EUROPEAN“ ETHNOMUSICOLOGICAL TRADITIONS |
47-52 |
| POLYPHONIC INSTRUMENTS IN GRECO-ROMAN WORLD |
53-61 |
| AN ETHNOMUSICOLOGIST BETWEEN THE STAGE AND THE JURY TABLE. THE POLISH CASE |
62-69 |
| GEORGIAN TRADITIONAL MUSIC TUDAY: REVIVAL AS PRESERVATION? |
70-74 |
| COMPOSITION AND MUSIC THEORY: CONVERGENCES AND DIVERGENCES BETWEEN TWO RELATED DISCIPLINES |
75-79 |