| PROBLEMS OF METHOD IN A FIELDWORK AMONG THE IMMIGRANT CHRISTIAN COMMUNITIES IN ROME (Язык: Английский) | 
3-23 |
| POLYPHONIC TRADITIONS IN THE GRECO-ROMAN WORLD (Язык: Английский) |
24-34 |
| ON THE TYPES OF CHRISTIAN LITURGICAL MUSIC IN TODAY’S GEORGIA (Язык: Английский) |
35-38 |
| GEORGIAN PANPIPE (LARCHEMI/SOINARI): TRADITION AND INNOVATION (Язык: Английский) |
39-46 |
| MUSIC ANALYSIS IN THE 21ST CENTURY ETHNOMUSICOLOGY: MERGING IDEAS OF „WESTERN“ AND „EAST EUROPEAN“ ETHNOMUSICOLOGICAL TRADITIONS (Язык: Английский) |
47-52 |
| POLYPHONIC INSTRUMENTS IN GRECO-ROMAN WORLD (Язык: Английский) |
53-61 |
| AN ETHNOMUSICOLOGIST BETWEEN THE STAGE AND THE JURY TABLE. THE POLISH CASE (Язык: Английский) |
62-69 |
| GEORGIAN TRADITIONAL MUSIC TUDAY: REVIVAL AS PRESERVATION? (Язык: Английский) |
70-74 |
| COMPOSITION AND MUSIC THEORY: CONVERGENCES AND DIVERGENCES BETWEEN TWO RELATED DISCIPLINES (Язык: Английский) |
75-79 |