Musicology and Cultural Science GESJ:
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Musicology and Cultural Science GESJ:
   
2015 | No.2(12) [2015.12.31]
CONTENTS


TOTALLY BADASS MUSIC: THE SOVIET NATIONAL ANTHEM AS A COMMUNICATION DESIGN  3-14
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EKA CHABASHVILI’S WORKS THROUGH SOME ASPECTS OF MUSICAL IDENTITY  15-19
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CULTURAL IDENTITY AND COMPOSITIONAL DISCOURSE  20-24
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A BASS-CLARINETT TIMBRE AND THE FEATURES OF THIS USING IN THE SYMPHONYC OPUSES BY BORYS LYATOSHINSKYJ  25-32
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THE BINARY ISSUE OF THE CLASSIC MUSIC STYLE AND THIS REALISATION IN THE CLASSIC MUSIC STRUCTURE (Language: Russian)  33-40
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GEORGIAN POLYPHONY, MUSICAL IDENTITY AND NATIONALISM  41-45
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MUSICAL IDENTITY IN NEW GEORGIAN MUSIC: NATELA SVANIDZE – EKA CHABASHVILI  46-51
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PRINCIPLES FOR IDENTITY ASCERTAINMENT COMPOSER’S CREATIVE WORK (ON THE EXAMPLE OF FUGUE GENRE)  52-57
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“ONE’S OWN” AND “OTHER’S”: MARKERS OF WESTERN AND EASTERN CROSS-CULTURAL PROCESS IN THE XX CENTURY MUSIC  58-62
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THE ALTERNATIVE ROLE OF NEW TUSHETIAN SONGS IN CONTEMPORARY GEORGIAN MUSICAL CULTURE  63-74
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