Musicology and Cultural Science GESJ:
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Musicology and Cultural Science GESJ:
   
2017 | No.2(16) [2017.12.31]
CONTENTS


DEFINITION PROBLEM OF ALGORITHMIC MUSIC COMPOSITION. RE-EVALUATION OF THE CONCEPTS AND TECHNOLOGICAL APPROACH  3-20
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IT MAY SOUND SCARY: GOTHIC UNDERPINNINGS IN GEORGE CRUMB’S MADRIGALS  21-27
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PERSONALITY AND THE CONTEMPORARY MUSICAL CULTURE: PROBLEMS OF INTERACTION  28-32
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MULTICULTURALISM AND NATIONAL IDENTITY IN THE 20TH CENTURY GEORGIAN MUSICAL SPACE  33-38
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“MELOS” CONCEPT OF POLYPHONY AND FORMS OF ITS REVEALING IN OLD GEORGIAN PROFESSIONAL MUSIC  39-47
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COUNTERPOINT OF IMITATION AND OSTINATO IN POLYPHONIC FORM (AT THE EXAMPLE OF GEORGIAN MUSIC)  48-53
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THE CHORAL POEM “ENTREATY” BY S. NASIDZE (ABOUT SOME COMPOSITIONAL CHARACTERISTICS) (Language: Georgian)  5476
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C. CARDEW’S TREATISE – GRAPHIC SCORE. IMPROVISATION, INTERPRETATION, OR COMPOSITION?  77-81
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THE THEORY OF MUSICAL CONTENT IN A CONTEMPORARY PEDAGOGY  82-87
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CONCEPTUAL MODELS OF PUBLIC SPACE IN 19TH AND 20TH CENTURY MUSIC  88-92
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HERMANN WEDEKIND AND GEORGIAN MUSICAL CULTURE  93-97
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CULTURAL AND HISTORICAL CONTINUUM ART OF JOINT CARRYING OUT (Language: Russian)  98-107
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THREE PERSPECTIVES OF THE CONTINUUM IN MUSIC C. NANCARROW, J. CARRILLO AND J. ESTRADA STUDY OF SOUND-MEMORY INSIDE THE MACRO TIMBRE  108-116
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