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Musicology and Cultural Science 2017 | No.2(16) [2017.12.31]


COUNTERPOINT OF IMITATION AND OSTINATO IN POLYPHONIC FORM (AT THE EXAMPLE OF GEORGIAN MUSIC)  48-53
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Musicology and Cultural Science 2016 | No.2(14) [2016.12.31]


THE FUGUE COMPOSITION IN THE QUARTETS AND SYMPHONIES BY SULKHAN TSINTSADZE (Language: Georgian)  34-38
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Musicology and Cultural Science 2015 | No.1(11) [2015.06.30]


THE PRINCIPLE OF INTERRELATION IN HYBRID FORMS (AT THE EXAMPLE OF FUGUE-SONATA BY GEORGIAN COMPOSERS)  3-7
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