Musicology and Cultural Science 2021 | No.1(23) [2021.07.31]
Maia Tabliashvili
THREE-PART POLYPHONIC CYCLE AND NODAR MAMISASHVILI’S “PRELUDE, CHORALE AND FUGUE”
12-17
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Maia Tabliashvili
INFINITY OF THE CREATIVE SELF-EXPRESSION – SYNCRETIC COUNTERPOINT IN THE SYMPHONY-EXHIBITION “KHMA” BY E. CHABASHVILI
24-27
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Musicology and Cultural Science 2017 | No.2(16) [2017.12.31]
Maia Tabliashvili
COUNTERPOINT OF IMITATION AND OSTINATO IN POLYPHONIC FORM (AT THE EXAMPLE OF GEORGIAN MUSIC)
48-53
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Musicology and Cultural Science 2016 | No.2(14) [2016.12.31]
Maia Tabliashvili
THE FUGUE COMPOSITION IN THE QUARTETS AND SYMPHONIES BY SULKHAN TSINTSADZE
(Language: Georgian)
34-38
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Musicology and Cultural Science 2015 | No.1(11) [2015.06.30]
Maia Tabliashvili
THE PRINCIPLE OF INTERRELATION IN HYBRID FORMS (AT THE EXAMPLE OF FUGUE-SONATA BY GEORGIAN COMPOSERS)
3-7
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Internet Academy
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