Musicology and Cultural Science GESJ:
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Musicology and Cultural Science GESJ:
   
2015 | No.1(11) [2015.06.30]
CONTENTS


THE PRINCIPLE OF INTERRELATION IN HYBRID FORMS (AT THE EXAMPLE OF FUGUE-SONATA BY GEORGIAN COMPOSERS)  3-7
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INTERNATIONALIST AGAINST HIS TIME: DIVERGENT NATIONALIST AND INTERNATIONALIST THEMES IN THE MUSIC AND RECEPTION OF FRANK BRIDGE, 1915-28  8--18
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THE VIRTUE OF AMERICAN POWER AND THE POWER OF AMERICAN VIRTUE: EXCEPTIONALIST TROPES IN EARLY COLD WAR AMERICAN MUSICAL NATIONALISM  19-24
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AN INSTRUMENT EMERGED FROM EAST AND WEST INTERACTIONS : FRETLESS CLASSICAL GUITAR  25-30
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TURKISH BLACK SEA MUSIC FROM GERMANY  31-36
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THE NATIONAL MUSIC IDENTITY IN THE GLOBAL CULTURAL CROSSROAD. SOME STILL TOPICAL LOCAL PROBLEMS IN THE LATVIAN MUSIC HISTORY WRITING  37-44
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RUSSIAN TRADITIONAL MUSIC IN GEORGIA (BASED ON THE MATERIALS FROM DEDOPLISTSQARO 2013-2014)  45-49
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THE INFLUENCE OF EASTERN AND WESTERN CULTURAL TRADITIONS ON THE FORM CREATION PROCESSES IN AVANT-GARDE COMPOSERS’S CREATIVE WORK  50-54
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THE SYMPHONY GENRE IN GEORGIAN MUSIC: AT THE CROSSROADS OF NATIONAL IDENTITY AND MODERN EUROPEAN TENDENCIES  55-59
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GEORGIAN WEDDING MUSIC – TRADITION AND MODERNITY  60-63
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PHILOSOPHICAL CONTEXT OF CONTEMPORARY CHOREOGRAPHIC SPACE  64-67
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IOANE PETRITSI’S MUSICAL AESTHETICS AT THE GREEK-GEORGIAN CULTURAL CROSSROAD  68-72
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GEORGIAN OPERA OF THE 1980S IN THE CONTEXT OF WORLD OPERA INNOVATION TENDENCIES  73-76
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ON SOME PARALLELS BETWEEN GEORGIAN AND NORTH CAUCASIAN (CHECHEN AND DAGHESTANI) TRADITIONAL MUSIC (ATTEMPT FOR THE COMPARATIVE STUDY OF EXPEDITION AUDIO RECORDINGS)  77-87
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THE TRANSFORMATION OF THE PASSION IDEA ON THE EXAMPLE OF NODAR MAMISASHVILI’S “THE PASSIONE”  88-92
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IDEA OF SPACE IN MUSIC IN INTERCULTURAL PERSPECTIVE  93-104
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