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2006 | No.1(2) [2006.06.30]
CONTENTS
Jean Nicolas De Surmont
FROM ORAL TRADITION TO COMMERCIAL INDUSTRY: THE MISUNDERSTOOD PATH OF POPULAR SONG
3-14
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Rusudan Takhaishvili
TEACHING MUSICAL NOTATION AT SCHOOLS OF GENERAL EDUCATION
(Language: Georgian)
15-25
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Tamar Tsulukidze
TSUTSUNAVA’S OPERA STAGE DIRECTION IN CONTEXT OF WORLD OPERA
(Language: Georgian)
26-35
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Rusudan Khojava
THE INTONATIONAL GENESIS OF J S BACH’S FUGUE IN D MAJOR (WELL TEMPERED CLAVIER, I PART) AND ITS LINKS WITH BEETHOVEN’S STRING QUARTET OP.18 #2 IN G MAJOR
(Language: Russian)
36-48
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Nino Abakelia
ON THE MEANING OF ARCHAIC SYMBOLS IN ONE GEORGIAN ROUND DANCE SONG
49-54
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Marina Kavtaradze
POSTMODERNISM REFLEXES IN NEW GEORGIAN MUSIC
(Language: Georgian)
55-62
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Ekaterine Buchukuri
THE ASHUG ART AND SONGS OF OLD TBILISI (AN ATTEMPT OF THE ANALYSIS OF THE STYLE)
(Language: Georgian)
63-80
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Gvantsa Gvinjilia
PARTICULARITIES OF RESEARCH OF THE NATIONAL COGNITION IN LADO DONADZES MONOGRAPH ESSAYS
(Language: Georgian)
81-86
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Nana Sharikadze
EXPERIMENTAL MUSIC - CONTEMPORARY INTERPRETATION
(Language: Georgian)
87-93
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