Musicology and Cultural Science GESJ:
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Musicology and Cultural Science GESJ:
   
2021 | No.1(23) [2021.07.31]
CONTENTS


TWO INDEPENDENCES OF GEORGIAN MUSIC (1918/21 - 1991 ...)  3-11
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THREE-PART POLYPHONIC CYCLE AND NODAR MAMISASHVILI’S “PRELUDE, CHORALE AND FUGUE”  12-17
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“THE UNDILADZE FAMILY” / “DER RING DES NIBELUNGEN”: A NATURAL AND INEVITABLE ANALOGY  18-23
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INFINITY OF THE CREATIVE SELF-EXPRESSION – SYNCRETIC COUNTERPOINT IN THE SYMPHONY-EXHIBITION “KHMA” BY E. CHABASHVILI  24-27
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CORRELATION BETWEEN THE CONTENTS AND FORM OF THE CHERUBIC HYMN (Language: Georgian)  28-41
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MULTICULTURALISM AS A CREATIVE TRIGGER: A MUSIC COMPOSERS INSIGHT AND EXPERIENCE  42-47
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ALTERATIONS: A SERIES OF WORKS TITLED “MUSIC NOVELLAS” BY GREEK COMPOSER THOMAS BAKALAKOS AS A CONTEMPORARY SUGGESTION FOR THE RESURRECTION OF GREEK NATIONAL SCHOOL OF MUSIC.  48-59
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A PERFORMANCE-ORIENTED ANALYSIS OF THE INFLUENCE OF ARGENTINIAN FOLK DANCES IN ALBERTO GINASTERA’S SUITE DE DANZAS CRIOLLAS, OP. 15  60-71
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MUSICAL ART, CULTURAL MEMORY AND POSTHUMAN (RAISING A POINT)  72-81
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