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2013 | No.1(9) [2013.12.31]
CONTENTS
Marianna Asrieva
THE EARLY MUSIC INTERPRETATION BY THE CONTEMPORARY VIOLIN EXECUTION (THE BOW TECHNICAL PROPOSITIONS)
(Language: Georgian)
3-27
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Rusudan Khojava
ANALYSIS OF SCHUMANN FUGUE OP.72 № 1 D-MOLL ACCORDING TO THE STANDPOINT OF DISPOSITION OF THETORICAL PRINCIPLES
(Language: Russian)
28-37
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Mariam Tatarashvili
SONG IS BORN INSIDE OF SUBJECTIVITY
(Language: Georgian)
38-44
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Maria Pukhlianko
PROBLEM ASPECTS OF FUNCTIONING OF MUSICAL COMPETITIONS
(Language: Russian)
45-48
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Katsiaryna Kaliankevich
"ARCHETYPAL" HYMNS OF PIROSMANI.
(Language: Russian)
49-51
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Rusudan Tabagari
MUSICAL GENRE – ABOUT SOME THEORETICAL ASPECTS
(Language: Georgian)
52-61
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Levan Bagration-Davitashvili
RHYTHMIC PATTERNS IN THE CHOREOGRAPHIC POEM “BERIKAOBA” BY BIDZINA KVERNADZE
(Language: Georgian)
62-78
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Anton Kushnir
CRITERIA OF EVALUATION OF MASTERY OF A FLUTE PERFORMER
(Language: Russian)
79-83
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Vadim Horbal
ORCHESTRAL CULTURE SAXONY FIRST HALF XVIII CENTURY
(Language: Russian)
84-91
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Marianna Asrieva
BAROQUE MUSIC ARTICULATION (BY THE EXAMPLE OF SLUR AND APPOGGIATURA)
(Language: Georgian)
92-103
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Tatiana Molchanova
CONSTANT OPTIONS IN JOINT PERFORMANCE OF PIANO ACCOMPANIST AND SOLOIST
(Language: Russian)
104-108
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