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2015 | No.2(12) [2015.12.31]
CONTENTS
Frank Domenico Cipriani
TOTALLY BADASS MUSIC: THE SOVIET NATIONAL ANTHEM AS A COMMUNICATION DESIGN
3-14
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Nana Sharikadze
EKA CHABASHVILI’S WORKS THROUGH SOME ASPECTS OF MUSICAL IDENTITY
15-19
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Emmanouil Vlitakis
CULTURAL IDENTITY AND COMPOSITIONAL DISCOURSE
20-24
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Stepan Shovheniuk
A BASS-CLARINETT TIMBRE AND THE FEATURES OF THIS USING IN THE SYMPHONYC OPUSES BY BORYS LYATOSHINSKYJ
25-32
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Pavlo Lagunov
THE BINARY ISSUE OF THE CLASSIC MUSIC STYLE AND THIS REALISATION IN THE CLASSIC MUSIC STRUCTURE
(Language: Russian)
33-40
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Rusudan Tsurtsumia
GEORGIAN POLYPHONY, MUSICAL IDENTITY AND NATIONALISM
41-45
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Marika Nadareishvili
MUSICAL IDENTITY IN NEW GEORGIAN MUSIC: NATELA SVANIDZE – EKA CHABASHVILI
46-51
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Leila Maruashvili
PRINCIPLES FOR IDENTITY ASCERTAINMENT COMPOSER’S CREATIVE WORK (ON THE EXAMPLE OF FUGUE GENRE)
52-57
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Marina Kavtaradze
“ONE’S OWN” AND “OTHER’S”: MARKERS OF WESTERN AND EASTERN CROSS-CULTURAL PROCESS IN THE XX CENTURY MUSIC
58-62
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Kae Hisaoka
THE ALTERNATIVE ROLE OF NEW TUSHETIAN SONGS IN CONTEMPORARY GEORGIAN MUSICAL CULTURE
63-74
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