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2019 | No.1(19) [2019.07.31]
CONTENTS
Beata Boleslawska
FACING A NEW REALITY: POLISH COMPOSERS IN THE FIRST YEARS AFTER 1945
3-10
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Dina Lentsner
DUE NORTH: ĒRIKS EŠENVALDS AND AURORA BOREALIS AS A CLAIMED ARTISTIC SPACE
11-17
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Gvantsa Ghvinjilia
ROBERT SCHUMANN’S “CARNAVAL” AND TENNESSEE WILLIAMS’S “CAMINO REAL”
18-24
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Ketevan Bolashvili
WEST – EAST: FROM THE USA TO THE EUROPE
25-29
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Nguyen Thi Ngoc Dung
VIETNAMESE SYMPHONY AFTER INNOVATION IN THE PERSPECTIVE OF INTERTEXTUALITY
(Language: Georgian)
30-44
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Abstract
Nikita Mamedov
INTEGRATION OF SCHENKERIAN ANALYSIS AND NEO-RIEMANNIAN TRANSFORMATIONS IN LISZT’S TRANSCENDENTAL ÉTUDE NO. 1
45-50
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Georges Beriachvili
THE WORK OF FRANÇOIS-BERNARD MÂCHE IN THE LIGHT OF THE PROBLEMS OF MUSICAL TIME
(Language: Georgian)
51-64
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Leila Maruashvili
BRICOLAGE – COMPOSITION TECHNIQUE OR TYPE OF THINKING?
65-70
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Natalia Zumbadze
FROM FOLK SOURCE TO PROFESSIONAL CREATION: ON ONE TUSHETIAN TUNE
71-77
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