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2021 | No.1(23) [2021.07.31]
CONTENTS
Marina Kavtaradze
TWO INDEPENDENCES OF GEORGIAN MUSIC (1918/21 - 1991 ...)
3-11
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Maia Tabliashvili
THREE-PART POLYPHONIC CYCLE AND NODAR MAMISASHVILI’S “PRELUDE, CHORALE AND FUGUE”
12-17
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Ketevan Bolashvili
“THE UNDILADZE FAMILY” / “DER RING DES NIBELUNGEN”: A NATURAL AND INEVITABLE ANALOGY
18-23
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Maia Tabliashvili
INFINITY OF THE CREATIVE SELF-EXPRESSION – SYNCRETIC COUNTERPOINT IN THE SYMPHONY-EXHIBITION “KHMA” BY E. CHABASHVILI
24-27
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Magda Sukhiashvili
CORRELATION BETWEEN THE CONTENTS AND FORM OF THE CHERUBIC HYMN
(Language: Georgian)
28-41
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Fabrizio Nastari
,
Giovanni Albini
MULTICULTURALISM AS A CREATIVE TRIGGER: A MUSIC COMPOSERS INSIGHT AND EXPERIENCE
42-47
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Apostolos Palios
ALTERATIONS: A SERIES OF WORKS TITLED “MUSIC NOVELLAS” BY GREEK COMPOSER THOMAS BAKALAKOS AS A CONTEMPORARY SUGGESTION FOR THE RESURRECTION OF GREEK NATIONAL SCHOOL OF MUSIC.
48-59
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Salvatore Sclafani
A PERFORMANCE-ORIENTED ANALYSIS OF THE INFLUENCE OF ARGENTINIAN FOLK DANCES IN ALBERTO GINASTERA’S SUITE DE DANZAS CRIOLLAS, OP. 15
60-71
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Gvantsa Ghvinjilia
MUSICAL ART, CULTURAL MEMORY AND POSTHUMAN (RAISING A POINT)
72-81
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