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2018 | No.2(18) [2018.12.31]
CONTENTS
Oxana Hnatyshyn
THEORY OF THE MUSICAL SEMIOTIC BY YU. SOZANSKYJ (MAIN IDEAS AND MEANING FOR MUSICOLOGY)
(Language: Russian)
3-9
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Tymur Ivannikov
UKRAINIAN GUITAR MUSIC: SPIRITUAL INTENTIONS OF CREATIVITY
(Language: Russian)
10-15
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Viktor Slupskyi
ENSEMBLES OF COPPER SPIRITUAL TOOLS IN THE MUSICAL CULTURE OF THE ANCIENT WORLD.
(Language: Russian)
16-24
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Ana Mamisashvili
VAZJA AZARASHVILI SOLO VIOLIN SONATA
(Language: Georgian)
25-37
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Marina Kavtaradze
INTERPRETATION OF FACTS AND EVENTS IN THE HISTORY OF MUSIC (FROM THE HISTORY OF TBILISI CONSERVATOIRE)
(Language: Georgian)
38-45
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Meko Kavtaradze
“TIME FACTOR” IN 20TH CENTURY CHORAL MUSIC (ACCORDING TO THE EXAMPLE OF COMPARATIVE ANALYSIS OF THE “REQUIEM” BY G.LIGETI AND THE “ENTREATY” BY S. NASIDZE)
(Language: Georgian)
46-62
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Nun Nino Samkharadze
RESEARCH ISSUE ABOUT „SHEKHVETILIANI’S“ HISTORICAL AND MUSICAL STRUCTURE’S DEVELOPMENT
(Language: Georgian)
63-71
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Rusudan Tabagari
THREE CYCLES OF 24 PRELUDES BY SULKHAN TSINTSADZE
(Language: Georgian)
72-78
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Antonina Lesogorskaja
ON THE ROLE OF POLYPHONY IN P. TCHAIKOVSKYS OPERA DUETS
(Language: Russian)
79-84
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ISSN 1512-2018