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2015 | No.1(11) [2015.06.30]
CONTENTS
Maia Tabliashvili
THE PRINCIPLE OF INTERRELATION IN HYBRID FORMS (AT THE EXAMPLE OF FUGUE-SONATA BY GEORGIAN COMPOSERS)
3-7
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Abstract
David Weber
INTERNATIONALIST AGAINST HIS TIME: DIVERGENT NATIONALIST AND INTERNATIONALIST THEMES IN THE MUSIC AND RECEPTION OF FRANK BRIDGE, 1915-28
8--18
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Emily Ansari
THE VIRTUE OF AMERICAN POWER AND THE POWER OF AMERICAN VIRTUE: EXCEPTIONALIST TROPES IN EARLY COLD WAR AMERICAN MUSICAL NATIONALISM
19-24
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Abstract
Tuncer Onder
AN INSTRUMENT EMERGED FROM EAST AND WEST INTERACTIONS : FRETLESS CLASSICAL GUITAR
25-30
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Abdullah Akat
TURKISH BLACK SEA MUSIC FROM GERMANY
31-36
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Janis Kudins
THE NATIONAL MUSIC IDENTITY IN THE GLOBAL CULTURAL CROSSROAD. SOME STILL TOPICAL LOCAL PROBLEMS IN THE LATVIAN MUSIC HISTORY WRITING
37-44
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Nino Makharadze
RUSSIAN TRADITIONAL MUSIC IN GEORGIA (BASED ON THE MATERIALS FROM DEDOPLISTSQARO 2013-2014)
45-49
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Ketevan Bolashvili
THE INFLUENCE OF EASTERN AND WESTERN CULTURAL TRADITIONS ON THE FORM CREATION PROCESSES IN AVANT-GARDE COMPOSERS’S CREATIVE WORK
50-54
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Ketevan Chitadze
THE SYMPHONY GENRE IN GEORGIAN MUSIC: AT THE CROSSROADS OF NATIONAL IDENTITY AND MODERN EUROPEAN TENDENCIES
55-59
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Teona Rukhadze
GEORGIAN WEDDING MUSIC – TRADITION AND MODERNITY
60-63
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Abstract
Nana Loria
PHILOSOPHICAL CONTEXT OF CONTEMPORARY CHOREOGRAPHIC SPACE
64-67
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Nino Pirtskhalava
IOANE PETRITSI’S MUSICAL AESTHETICS AT THE GREEK-GEORGIAN CULTURAL CROSSROAD
68-72
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Natia Dekanosidze
GEORGIAN OPERA OF THE 1980S IN THE CONTEXT OF WORLD OPERA INNOVATION TENDENCIES
73-76
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Ketevan Matiashvili
ON SOME PARALLELS BETWEEN GEORGIAN AND NORTH CAUCASIAN (CHECHEN AND DAGHESTANI) TRADITIONAL MUSIC (ATTEMPT FOR THE COMPARATIVE STUDY OF EXPEDITION AUDIO RECORDINGS)
77-87
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Maka Virsaladze
THE TRANSFORMATION OF THE PASSION IDEA ON THE EXAMPLE OF NODAR MAMISASHVILI’S “THE PASSIONE”
88-92
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Katarzyna Szymanska-stulka
IDEA OF SPACE IN MUSIC IN INTERCULTURAL PERSPECTIVE
93-104
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ISSN 1512-2018