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2017 | No.2(16) [2017.12.31]
CONTENTS
Rima Povilioniene
DEFINITION PROBLEM OF ALGORITHMIC MUSIC COMPOSITION. RE-EVALUATION OF THE CONCEPTS AND TECHNOLOGICAL APPROACH
3-20
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Dina Lentsner
,
Stephanie Saunders
IT MAY SOUND SCARY: GOTHIC UNDERPINNINGS IN GEORGE CRUMB’S MADRIGALS
21-27
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Valeriy Mozgot
PERSONALITY AND THE CONTEMPORARY MUSICAL CULTURE: PROBLEMS OF INTERACTION
28-32
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Marina Kavtaradze
MULTICULTURALISM AND NATIONAL IDENTITY IN THE 20TH CENTURY GEORGIAN MUSICAL SPACE
33-38
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Tamar Chkheidze
“MELOS” CONCEPT OF POLYPHONY AND FORMS OF ITS REVEALING IN OLD GEORGIAN PROFESSIONAL MUSIC
39-47
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Maia Tabliashvili
COUNTERPOINT OF IMITATION AND OSTINATO IN POLYPHONIC FORM (AT THE EXAMPLE OF GEORGIAN MUSIC)
48-53
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Meko Kavtaradze
THE CHORAL POEM “ENTREATY” BY S. NASIDZE (ABOUT SOME COMPOSITIONAL CHARACTERISTICS)
(Language: Georgian)
5476
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Nino Jvania
C. CARDEW’S TREATISE – GRAPHIC SCORE. IMPROVISATION, INTERPRETATION, OR COMPOSITION?
77-81
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Liudmila Kazantseva
THE THEORY OF MUSICAL CONTENT IN A CONTEMPORARY PEDAGOGY
82-87
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Svetlana Mozgot
CONCEPTUAL MODELS OF PUBLIC SPACE IN 19TH AND 20TH CENTURY MUSIC
88-92
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Ekaterine Buchukuri
HERMANN WEDEKIND AND GEORGIAN MUSICAL CULTURE
93-97
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Tatiana Molchanova
CULTURAL AND HISTORICAL CONTINUUM ART OF JOINT CARRYING OUT
(Language: Russian)
98-107
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Manuel Dominguez Salas
THREE PERSPECTIVES OF THE CONTINUUM IN MUSIC C. NANCARROW, J. CARRILLO AND J. ESTRADA STUDY OF SOUND-MEMORY INSIDE THE MACRO TIMBRE
108-116
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