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2018 | No.1(17) [2018.07.31]
CONTENTS
Serena Facci
,
Alessandro Cosentino
PROBLEMS OF METHOD IN A FIELDWORK AMONG THE IMMIGRANT CHRISTIAN COMMUNITIES IN ROME
3-23
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Manuel Lafarga Marques
POLYPHONIC TRADITIONS IN THE GRECO-ROMAN WORLD
24-34
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Nino Naneishvili
ON THE TYPES OF CHRISTIAN LITURGICAL MUSIC IN TODAY’S GEORGIA
35-38
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Nino Razmadze
GEORGIAN PANPIPE (LARCHEMI/SOINARI): TRADITION AND INNOVATION
39-46
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Abstract
Zhanna Partlas
MUSIC ANALYSIS IN THE 21ST CENTURY ETHNOMUSICOLOGY: MERGING IDEAS OF „WESTERN“ AND „EAST EUROPEAN“ ETHNOMUSICOLOGICAL TRADITIONS
47-52
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Penelope Sanz Gonzalez
POLYPHONIC INSTRUMENTS IN GRECO-ROMAN WORLD
53-61
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Tomasz Nowak
AN ETHNOMUSICOLOGIST BETWEEN THE STAGE AND THE JURY TABLE. THE POLISH CASE
62-69
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Rusudan Tsurtsumia
GEORGIAN TRADITIONAL MUSIC TUDAY: REVIVAL AS PRESERVATION?
70-74
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Emmanouil Vlitakis
COMPOSITION AND MUSIC THEORY: CONVERGENCES AND DIVERGENCES BETWEEN TWO RELATED DISCIPLINES
75-79
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2001-2024
ISSN 1512-2018