Musicology and Cultural Science GESJ:
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Musicology and Cultural Science GESJ:
   
2019 | No.2(20) [2019.12.31]
CONTENTS


WINE AND MUSIC IN GEORGIAN PAINTING AND ADVERTISEMENT  3-10
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REGIONAL, NATIONAL, GLOBAL? CAUCASIAN MUSIC IN WESTERN PERSPECTIVE  11-15
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GLOBAL MUSIC PROCESSES: ABOUT THE INFLUENCES AND ANALOGUES IN THE GEORGIAN MUSIC OF THE 60S OF THE LAST CENTURY  16-28
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FORMS OF EXPRESSION OF INTERACTIVE ART AND HYBRID GENRES (ON THE EXAMPLE OF MY OEUVRE)  29-34
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A NEW TYPE OF PERFORMER-LISTENER INTERACTION IN EKA CHABASHVILI’S SYMPHONY-EXHIBITION “KHMA”  35-40
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SOLO VIOLIN SONATA OF EKA CHABASHVILI WITH A "SHINING BOW" (COMPOSITIONAL AND PERFORMING ISSUES) (Language: Georgian)  41-49
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PROHIBITION VERSUS APOTHEOSIS OF A TRITONE: RHETORICAL ASPECTS  50-61
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THE PREMONITORY POINT AND THE REAL APEX IN RIMSKY-KORSAKOVS OP. 4 NO. 1 ROMANCE  62-69
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LITHUANIAN FREEDOM FIGHTERS: THE HISTORICAL NARRATIVE AND THE SINGING TRADITION  70-80
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SIGNS OF CHRISTIAN ECUMENISM IN IGOR STRAVINSKY’S “SYMPHONY OF PSALMS”  81-88
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THE FORBIDDEN FRUIT SYNDROME VS. THE FILLING AN EMPTY NICHE SYNDROME: A CASE STUDY OF THE MUSICAL OUTPUT OF DIASPORA LATVIAN COMPOSERS  89-95
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